Saturday, December 25, 2004

Gattaca

Discrimination is a popular theme in America. It had been mainly against African Americans but took other forms later on. This movie presents discrimination again, but this time not according to color, race, wealth or social status but according to one's genes.

Illusion versus reality is another theme present in the movie. The pretence that some people put, the arrogance of some and the community that cannot see the reality of things but are trapped within their own illusions embodies this theme. They see genetic code as the ultimate determiner of a person's level and cannot buy any other idea. Despite the laws that ban discrimination against those genetically inferior, law is "not taken seriously." This is a reflection of current discrimination practices in the USA which is prevalent despite the presence of laws against it.


The idea of a dream, a strong dream, that one strongly has and achieves by persistence despite all the odds is in main focus in this movie. At the end of the movie, the protagonest, the genetically disadvantaged young man who beat all the odds and went to extremes to fulfill his dream, did actually go on his way to space fulfilling his life time dream. The American dream of freedom and achieving the impossible despite the odds has strong presence in the movie, in fact it is the focus of the whole movie.

The selection of the goal for the protagonest to be reaching outer space has a symbolic significance. Space symbolizes freedom, it also means a new world where the negative aspects of the current world are eliminated, discrimination being one of them. Also reaching to outer space has something to do with thinking out of the box and not being a prisoner to imposed stereotyping.

The guy whom the protagonest took the character of was selected to be a foreigner. Partly this was done due to shunning the idea of an American degrading himself in that way, only a foreigner will do it. Also it might make the audience less sad at the end of the movie when he decides to commit suicide.

His committing suicide by burning himself at the end of the movie is because he has now ended his mission and is no longer needed. The medal he won was the last thing the audience sow of him, it was seen melting in the fire. This indicated his death to the audience and was used instead of showing his body clearly burning in order to reduce any audience anxiety or pity, they only get to see the gold medal which is the thing that remains. This indicates that all that mattered to him was the fame, the appearance, the achievement he made. He wanted his name to be there, and indeed, though it was not him who went to the outer space mission, yet it was his name that went, and that is all that mattered to him. This again revolves around the theme of illusion versus reality, the hypocrisy of society and it's distorted vision of reality and it's sinking in illusion.

The name Jerome has a close sound to the word genome which is the genetic material of an organism. The word became popular with the Human Genome Project, which aimed at mapping the human genetic makeup, a project that faced a lot of public resistance as it started.

The inferiority and inability to compete for those genetically inferior was the reason behind their incompetence. It was only when the protagonest challenged this idea and this view that he was able to succeed. After beating his brother in swimming (the game of chicken) for the first time, the protagonest starts questioning the whole view of his inferiority and it is the turning point in his life.

Tuesday, November 23, 2004

A.I. Artificial Intelligence

"Keep me safe" is David's plead whenever he feels threatened. Love is the self-defense mechanism David's designer choose for him.

"Only mechas are safe" is Monica's sincere advice to David. It hints upon the cruelty of real life and humans that contrasts with the relative safety of mechas.

The movie poses a moral question: "If we were ever able to build machines that can love us, are we obliged to love them back?" The movie gives an indirect answer to this question by using all means to evoke our emotions and sympathy towards David.

The movie also touches upon a recurring theme which is whether creations of the imagination can be superior to real things. The answer to this question seems to be "yes," in a similar fashion to eXistenZ.

Thursday, September 02, 2004

eXistenZ

This movie is fantastic. I love it. It's mind boggling too. It encourages deep thought within you. The movie pauses a somewhat philosophical question of the difference between reality and imagination, whether there really is a difference between them and if contrary to common belief imagination could be superior to reality.

It is as if the maker of the movie is trying to fight back the enemies of art and imagination. The action in the movie revolves around a fight between the supporters of Realism and those in support of eXistenZ which symbolizes imagination.

The movie starts by showing the game designer, the heroine, displaying her new game eXistenZ and offering it for fans to try. The viewer is aware that in this first part of the movie they are not inside a game yet. Later on, and as the movie progresses, the characters start immersing into a game and from within this game into another game within it. It's like when you have a dream within a dream. When you wake up from the inner dream you might think you've finally woke up but you are actually still inside your first dream. The strange game-like things that appear all the time give the viewer a clue that the characters are locked inside a game. The characters have labels, the motel is labeled "Motel" and the gas station is labeled "Local Gas Station." The viewer then starts to realize that the characters were indeed inside a game from the beginning of the movie. At the end of the movie, the viewer realizes that one cannot tell the difference between reality and imagination any more. The movie ends with the phrase "Are we still inside the game?"

The movie can also be saying that real life is nothing but a game. Our characters have some urges and inclinations that the game 'designer' has built into them. We are not sure if our life is nothing but a game. We might be in a game but unaware of it just like in dreams.

Tuesday, August 17, 2004

The Quick and the Dead

Sound plays an important role in this movie. The click before the clock strikes 12 that the preacher asks the lady to listen to. The click of the lady's small gun that the Mayor heard when she accepted his invitation to his house and went there in her lovely dress. The click of the mayor's lighter when the lady went running out of his house hinting to her that he has heard her gun's click and that he knows she has a gun.

The movie is about ruling people with fear. That's what the mayor did. The mayor got his power out of the fear of the people. He was powerful himself because he had no fear. He tells the lady that ever since his father passed a gun around his family asking everyone to attempt to shoot himself, nothing in the world made him afraid after that day. His father being a man of the law is ironic. He represents the exact opposite, lawlessness. When the lady finally kills him at the end of the movie and hands over the sheriff's star to the preacher she say "Law has come back to town." By eliminating the symbol of lawlessness, law has come back.

The presence of the preacher's character is there to be a foil for the mayor. The preacher, though he has the urge to kill and is brought up as an outlaw, yet he takes the path to redemption. He has changed. This is significant, it says that the mayor has no excuse for being cruel and bad like he is, for there exists a path for changing to the good if he just chooses to take it.

The mayor's son is an interesting element in the movie. He represents the need for recognition. He is so sure of himself. He has no fear, but this does not prevent him from dying at the end. He is just not fast enough. By planning a trick and collaborating with the preacher, the lady is able to finally kill the mayor. She overcomes her fears after wearing the sheriff's star. As if now she represents law and order.

The music in the background is wonderful. A special note is played every time a victory comes to the good guys. Slow motion is used wonderfully to play another game with time.

Time is played with skillfully in the movie. The clock symbolizes time. Speed is what makes the difference between life and death in the movie. Slow motion is used to show split seconds in detail. Timing is also important in the movie. The exact time at which the tops of buildings blew up near the end of the movie is crucial to the success of the good guys' plan. The plan is not only made by the preacher and the lady, but by the people of that small town. The 'doctor' checks the lady's body after she falls and says she is dead acting as if he was sad.

The movie also uses the sense of suspense and reveals information bit by bit not all at once. We know what happened to the lady when she was a child only gradually. The final part where she misfires killing her father when she was a child is only revealed near the end of the movie. It was the perfect timing for revealing it so that the audience could find it quite fair to kill the mayor and would want that strongly. In addition, we get to know gradually that the mayor suspects that his son is really his. We get to know the truth at the last moment when his 'son' is dying.

The movie is brilliant. With only a few characters and a cowboy setting, the movie represents violence and lawlessness wherever it happens in the world. As if the movie is sending a message that injustice backed by power can only be removed by brave justice backed by power. It says that fear can be present in the good guys but that it can still be overcome.

Thursday, July 01, 2004

X-Men

The reason why I continued watching it again in so short a time was that during the second time of watching it the philosophical idea underlying the movie seamed to trigger an interesting line of thought inside my head. Of course the underlying idea that the movie rests on is based on the Darwinian idea of evolution. A "mutation" was what happened to bring x-men about. A mutation is a term from biology, specifically from genetics. Mutations occur naturally in nature and have clear examples in plants. In the movie what happened to x-men were natural mutations. An attempt by Magnito to induce an artificial mutation failed and resulted in the horrible death of the person undergoing it.

Though the movie was reflecting the Darwinian theory of evolution and applying it to humans with both it's evolution part and the "survival for the fittest" proposition exemplified in Magnito's attempts to survive and leave out the other normal humans, yet the movie does have another level beside this one. It addresses the everlasting theme present in many American movies, the theme of understanding, accepting and not rejecting the other, the other who is different from us. This theme is present in many American movies and is clear here right from the beginning. Load voices arguing the dangers of what they called mutants were heard right from the beginning. The other voice calls them x-men instead, or at least that's why they called themselves. The movie is trying to say that both x-men and normal humans can live together in peace accepting one another.

Wednesday, June 30, 2004

Short wi Fanella wi Cap

A mix of political farce, a bit of romance add some adventure and here you are with a movie for people to watch during the holiday. The political side of the movie, though having a great and strong idea behind it, was presented in a very diluted and extra exaggerated comic manner. But at least this way would make their point clear and be able to communicate it even to the simplest of people.

I admit that I did like the romantic part of it. Some scenes had truth in them. They were nice.

The movie showed a sharp contrast between the older Arab generation which were reflected in the actions of the ministers attending the conference and how they fought each other and were unable to get over their hate for one another on one side, and the love shared by two persons from different Arab countries, namely Egypt and Lebanon, and how this love can be the answer to all our questions. The movie is sarcastic about the older Arab generation and at the same time gives hope in the new generation portrayed by the Egyptian and Lebanese hero's of the movie.

Another feature of the movie was it's portrayal of the media and how they aggressively look for news and the way in which they deal with it. This is something often strongly present in American movies, but has not appeared before with this strength and this similarly to American movies in any Arabic movie before this one.

Though the movie does have a few 'action' scenes of fights, and also involved the money element lightly, yet it cannot be considered an energy movie at all. It did not even get near the element of sex but used romance instead.

In conclusion, though the movie did have a strong political message behind it, did have a nice romantic story and scenes and was not by any means an energy movie, yet it's lack of coherence loss of focus and fragmented story bits make the movie a strong idea but poorly implemented.

Friday, June 18, 2004

Zawag Bi Karar Gomhori

This movie was really coragous. To involve the character of the current President of Egypt in it was something unserpassed. To involve him not just by mentiong but by getting his double in some, even if very short, shots of the movie was really something amazing for Egyptian movie making. Egyptian movies who involved talking or displaying the characters of Egyptian Presidents only did that with presidents who have already passed by. But to do it with someone who is currently a President at the time of shooting and displaying the movie, this was really, really new.

Egyptian movies seem to be moving in the right direction. They are becoming more open and touching upon more sensitive issues which have been left all together in the past.

The mocking of officials in this movie is not something new. But the way it was presented was really down to earth and strong. I touched strongly yet with simplicity and directness on the problems poor people are facing in the slums of Egypt and the system by which officials work to 'solve' those problems. Of course the movie was exagerating the picture and focusing on what may be present in actual life but in limited cases. Yet exageration is a technique used in art to communicate ones point and make it clear. So, no problem with that, as long as strangers, or simple minded people get the idea that this is actually the pravalent system with all officials in the country.

The movie was very interesting. It succeded in saying all it wanted to say under recently popular mask of comic action.

I enjoyed the movie. I liked it.

Sunday, May 30, 2004

Desert & Desire

Yesterday I re-watched the Egyptian movie "Desert & Desire" ("Raghba Motawahesha"). The movie was a typical example of an energy movie.

Its energy mix relied heavily on sex and money. Force also came into play in the form of the rifle and the ending of the movie with the death of the visitor or hero of the movie. A tragic ending that can classify the movie as a tragedy if we want to classify it using the tragedy-comedy system.

The sex element of course was the most prevalent of the three energy elements. Not only because the three women in the movie had a sexual desire towards the hero (tragic hero, if we may say so) and actually had sex with him, except for the youngest one, but because even the title of the movie itself was a bare sexual expression "Forceful Desire" which is closer the the Arabic title. This forceful desire may also refer to the desire for money which brings us to the second energy element: money.

Although the movie relies heavily on the first two energy elements sex and money and also does not forget to make use of the third one namely force or violence yet it does have some positive or let's say artistic elements in it.

The director of the movie systematically uses scenes of wild animal life to symbolize or foreshadow the actual events taking place in the movie. The scorpion digging in the sand, the fox coming for the hens but being killed with a rifle by the wife, the same rifle which she uses to kill the visitor at the end of the movie. Also the eagle flying in the sky.

Another good element in the movie was its dialog. The scenario is well written.

Although the short symbolic wild animal scenes are something to praise the director for yet they are still not well blended into the movie and are to some extent artificially inserted into it.

Despite its good scenario and not-bad acting also it's symbolic and foreshadowing scenes the film lacks any real message. It lacks coherence and is far from being an organic aesthetic work of art that elevates the soul and spirit. It only works on the base desires, its title not hiding that, as other energy movies do.

Thursday, May 27, 2004

Energy Movies

Some movies can be categorized as "energy movies." Such movies are generally cheap movies that aim at getting the largest number of low-class viewers who have no aesthetic sense what so ever and cannot appreciate a good movie or perhaps even any work of art. Some movies can be labeled as pure energy movies while others just retain some of the elements and qualities of an energy movie as an attempt to attract a larger audience and not fall into the shadows. Energy movies tend to have three strong and intertwined energy elements: violence (physical power); money and sex.

Violence
Violence is often shown by the bad guys physically hurting the hero or the ones whom the hero cares for. Many scenes of violence in the form of fights taking place between the bad guys and the hero, or people on his side, are shown.

The effect of such scenes is to get the low type of audience glued to the cinema screen and serves as an outlet to their trapped dreams of power and violence.

Money
Money and material belongings of expensive assets with an accompanying luxurious life style are the second element in the energy mix. Often the bad guy is the rich one who has the money while the hero is the one who does not. Many times the hero who might have physical power or just superhuman courage might get rich at the end of the movie after succeeding in concurring the evil of the bad guys.

Once more, money and a luxurious life stile plays on the trapped desires of the low-type audience and magnetizes them using a cheap technique.

Sex
Finally, the third and final element of this devilish mix is sex. After playing on the cravings of the youth or low class workers for violent physical power and money, an energy movie tightens its grip with the third required energy element: sex.

Combining Elements
Energy movies are created by mixing these three elements in different proportions. Often two of the elements are also intertwined together to produce an even stronger effect. For instance violence and sex can be combined in a single act in once scene (rape). Also money and sex may be combined in a single scene (prostitution).

Non-Energy Movies
Movies could be put on a continuum with the purely energy ones on one side and the energy-clean ones on the other. Many movies though lie somewhere in between. Some good movies even make use of energy elements either to hide their main message or in order just not to loose audience. Cinema is the place where energy movies often appear. Their stories are not inspiring. They usually have no real art in them, just playing on the base desires and dreams of ordinary people.

A New Element
The comic element is not really a new one in movies for it has been there in movies all along. What's new is that the comic element has taken a much larger place now. The comic element can be inserted in all kinds of movies, even energy ones. This element does not necessarily appear in comedy movies only. Some movies which have comic elements in them, and others which are purely comedy movies, are actually political or social reform movies in disguise.

Enjoy the Movie
From now on, whenever you are watching a movie try to keep in mind the energy elements. See if what you're watching is a purely energy movie with no real value in it. Look deeply inside the movie. It might have strong but hidden political or social messages in it and is using comedy or some of the energy elements to conceal its true nature. Good movies often try to give you a message, a message that is different from what you have been taught at school and what you are being told by the media. That would be the movie you'll really enjoy and watch again and again.

Some Actors

Adel Imam is one of the best, not because he is funny, but because he has a point of view.

Another one who has "a point of view" is Mohamed Sobhy. His play "Weghet Nazar ("Point of View") does not fail to amaze me each time I see it. His early series "Rehlet el Melyown" ("Journey of a Million") and its sequel "Sombol Baad El Melyown" ("Sombol after one Million") did have a strong point of view in it and did influence things in Egypt.

Even Ahmed Zaki, also in his latest movies, many times has a point of view.

Nour El Sherif in his famous "El Hag Metwally" series, which has created an uproar in the critics community both locally and in the region, is one good actor too. I really enjoyed this series and find it exceptional. It's a creative work of art. I think if ever a prize was to be given to an Egyptian series in the past decade or so it should go to this exceptional series which has recieved lots of bad comments from critics! If they areally are critics that is.

I find "El Hag Metwally" really worth re-examining. It's facinating. It has true creativity in it. Perhaps I'll be writing on it some more in a coming post.

As for Egyptian actors, many do not fail to surprize me with their talent and enlightenment. I really enjoyed Adel Imam's "Toyour Al Zalam" ("Birds of Darkness") which had a strong political or let's say socio-political side. Also his movie "El Mansy" ("The forgotten") has a deep political and insightful point.

"El Mansy" presents the simple man who is actually doing the work and is the one that is making thigs move and keeping things from crashing. The character of El Mansy, which Adel Imam plays, is working in a train station. His job is to make sure trains go on their way smoothly without crashing. This simple man is the real person behind keeping things rolling. He dreams of being big, and even role playes an 'important' person in the country. In this role-play scene of his, he uses the same words and same style of this important person. Sure the normal viewer of the movie won't notice this, but the hidden political level is clear for an closely observing eye.

Movie Comments

I've been blogging for some time. Not really heavily, but I only posted a handful of posts. I left blogger for a while. After its redesign, blogger relly wetted my appetite. Specially what it said about bloggers getting book contracts! This really sounded cool. I thought what could I ever right and Sharm El Sheikh stuff came to my mind as I now work there. But just now, something new came to my mind, something I've been really wanting to write about but blogging it just never came to my mind before. It's writing comments on movies. I've always enjoyed watching movies, weather Arabic ones or English. I usually have a comment or a couple of them whenever I do watch a movie. Also series interest me and I do also have an opinion that'd love to share about them once I see them.

Of course not all moveis or all series are woth commenting on. Some of them are really shallow. Even if shallow though, perhaps I can comment on them in two words only and say that they "are shallow."

I'm very excited about this new blog I just created. It'll help me vent all my opinions anc comments I have on movies. I hope that my audience be Egyptians and others who konw the Arabic language and have watched the movies and perhaps series I hope to comment and share my opinion on. Yet maybe, just maybe, non-Arabic speakers could also enjoy some comments. After all I'll probably be commenting on English movies too. Even when talking about Arabic movies, there is a possibility, even if a remote one, that it could interest those who have not even seen them!

I'd also enjoy getting heated comments and arguments that try to prove my opinions wrong whenever I comment on a movie or an actor in it. That's what I'd be enjoying most. It makes me feel alive. So please drop me a line and tell me how much you hate this or that comment of mine about a specific scene, movie or cinema actor. Waiting for your angry words to storm in.